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Also I saw the Glitter and Doom show of Weimar Expressionist portraits, there until Feb. 19, which was also very crowded, no doubt as a result of it being written up by both me and Charles Bernstein. I hope to return on a slower day. The show sheds light on how caricature functions in general as a descriptive device. Grosz's Weimar paintings and Beckmann’s War series, which has recently been in a couple places nearby including the Met, are really the best paintings about the US from 9-11 to last November, despite being painted long ago.
I’m a little jealous that David is going to China and India, and in general I often go first to the crowded temporary show there, anticipating it will be more crowded later in the day, and then chill out in the serene and less trafficked Asian galleries. In the Japanese section I realized that I wanted caffeine. I visited the new cafeteria there for the first time, and though it is larger and more functional, with the same overpriced museum food you find elsewhere, I long for the old days when you could caffeinate below an ancient bas relief (in Philly you still can). On the way back I drove to Iselin, NJ, which has the best Indian food outside Asia, to get a large Mysore thali.
OK I’ll do the meme:
I have loose jointed fingers and toes.
The first poem I wrote was ‘John Dean told a lie/ to the FBI’ as a preschooler.
I’ve gone through two events in little over the last three years where I felt for certain I was going to die (one hiking, one health-related).
I’m not a trust fund baby, but when I was a teenager my Dad bought me a tuxedo to meet Richard Nixon.
When I’m in Baltimore, I always confuse North with South and East with West.
I tag Andy, Shanna, David (if he has a chance before he leaves), Lorraine (when back from camping).
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