the Joan Mitchell show, for which there's a big sign across the street from Marian Goodman while you're on your way to Matta and DAG, and the Frank O'Hara friend theme can be extended with Jane Freilicher and Joe Brainard around the corner. After her therapist tells her not to spend another summer in the Hamptons but to go to Paris, she becomes romantically involved with Riopelle and shows in several US museums the following winter, 1959-60. They fly back to the US/Canada repeatedly and I presume Harbor December (left) is from one of their sailing outings in Long Island. Her treatment of water, air, and boats reminds me of Monet (they lived in Giverny), and this show features her 1959 oil Goulphur I, of the lighthouse of the island of Belle-Île which Monet frequently painted in the 1870s and 80s. Rodin described the Breton coast as "a Monet" and the Grand Vallée series of the mid-1980s was inspired by "a friend, who recounts to her that a young cousin, on his deathbed, said he dreamed of returning to the Grand Vallée in Brittany, where the two had spent their childhood." It has seemed to me that in her late years she painted emotional distance, of which the gaze back into childhood is one.