Up til this Saturday at Henrique Faria (35 e 67th, 4th fl): Alfredo Cortina's photographs of his wife, the Venezuelan poet and playwright Elizabeth Schön, who wrote in 2003 of "un sentimiento reflexivo-intuitivo, llega mucho más allá que el simple hecho del ver" ("a reflective-intuitive feeling goes far beyond the simple fact of seeing"), "como propone Rilke: '…dulcemente debo desprenderme de la apariencia…' Solamente desprendiéndonos de ella, nos acercamos más a ese silencio absoluto que existe y al que no podemos atrapar" ("..as Rilke proposes: '..sweetly I must detach myself from appearance..' Only by detaching ourselves from it, do we get closer to that absolute silence that exists and that we can not entrap..")
|Sin título, 1965/2014|
A shot from 1957 depicts Carlos Puche photographing her in a rural doorway..
|Sin título, 1957/2014|
.. and while the past obscurity of this series makes it presumably impossible for Jeff Wall to have seen this in the 70s, it is not without its similarities to "Picture for Women" - not only is the male photographer on the right and the female subject on the left..
|Picture for Women, 1979|
..but in both shots there are two vertical lines between the figures - one (the side of the house) isolating the photographer and the other extending from the left shoulder of the subject. The foregrounding of the figures is inverted but since one is a mirror image that doesn't really count.
Also ending Saturday on 24th St are twelve 5'x7' paintings by Terry Winters at no. 523 and a pedagogical and sculptural offering at no. 531 by Oscar Tuazon referencing Steve and Holly Baer's solar powered home which uses water for heating and cooling, along with Winona's Water School (below) honoring two-time Ralph Nader running mate and Native American activist Winona LaDuke. Two of Tuazon's structures inspired by the Baers will be installed within anti-pipeline protest sites in Minnesota.