Tony Gatlif 1948 - 2026

+ Gadjo Dilo (1997)

 

 

Geles Cabrera 1929 - 2026

 

Sin Título, 1971, natural fibers and iron, 37 ⅜ × 17 ¾ × 17 ¾ inches, courtesy Agustina Ferreyra

 

EU

 

ROPE

 

Yayoi Kusama 1929 - 2026

Dedicated to Arthur Rimbaud, 1988, mixed media, 13 x 9 x 6 in., courtesy Michael Rosenfeld

 

I am obligated to do another Sílvia Pérez Cruz post because she spoke up for Cuba last Friday at the Hollywood Bowl at Gustavo Dudamel's last concert as LA Philharmonic director, and then on Sunday performed a free concert by candlelight in the 17th century Iglesia de San Francisco El Nuevo in Havana.  In LA she performed two songs: Pequeño Vals Vienés and the Venezuelan classic Tonada de Luna Llena by Simón Díaz ("Yo vide una garza moro/ Dándole combate a un río").

The Sílvia song I seem to listen to most frequently is her Cucurrucucú paloma, 

 

the Mexican song written in 1954 by Tomás Méndez for Pedro Infante to serenade in the 1955 comedy School for Tramps, then performed by Lola Beltrán in the movie named after the song,

 

and also performed by Caetano Veloso, Lila Downs, Natalia Lafourcade, and many others, imitating the call of the mourning dove.

Sliman Mansour 1947 - 2026

Alleys of Al-Quds, 2009

 

8/24/2026, Water treatment facility, Sheikh Radwan, Gaza City, Saeeed Jaras, Anadolu Agency

8/24/2026, Shati refugee camp, Gaza City, Saeed Jaras

 

 

 

Sole la muerte, 1936

The 90th anniversary of Lorca's murder shall be amongst other things an excuse to upload two covers of Leonard Cohen's adaptation of Pequeño vals vienés..

In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints the little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.
Aye, ay, ay,ay!
Take this waltz that dies in my arms. 

 Morente, born in Lorca's home town..

Sílvia of Palafrugell, who's touring now..

A sharp escalation has hit southern Lebanon following a series of intense Israeli airstrikes targeting residential areas in towns including Ansar and Deir al-Zahrani. These attacks have resulted in at least 10 deaths, including three children.

My brief report: pic.twitter.com/Vmrb2G1Lg3

— roqayah chamseddine (@roqchams) August 15, 2026

Betye Saar 1926 - 2026

My Last Buffalo, 1973, mixed media with bone and feathers, 13 3/8 x 11 3/8 inches, courtesy Michael Rosenfeld

 

St. Petersburg

 

Sluchainyi, Moscow Oblast

Lalith J. Rao 1942 -2026

S. Janaki 1938 - 2026

 

Gaza, 7/12/26

Rooting for Spain now, I commend Belgium for memorializing Magritte on their jerseys but conjecture that the execution led to their demise. The significance of La Voix des airs

 René Magritte, La Voix des airs, 1931, oil on canvas, 72.7 x 54.2 cm

is specifically the detachment of the horse bells from the horses into the sky above the landscape grid.  To reattach the bells to the body is to dress your side as horses, and you can't beat the Spaniards playing polo.  Also writing Ceci n’est pas un maillot on the jerseys abandons La Trahison des images' commentary on representation by putting the phrase on an existing jersey and not a picture of the jersey, and you can't beat the Spaniards by confusing ontology and semiotics.

A source familiar with Belgian fashion design has revealed to Piri' Miri Muli' the artworks the next three Belgian World Cup teams will feature on their jerseys:

2030:

James Ensor, Demons Taunting Me, 1895, etching, 11.8 x 15.8 cm., Museum of Fine Arts, Ghent

2034:

Paul Delvaux, La Ville lunaire, 1944, oil on canvas, 56 ¼ x 78 ¾ in.

 

2038:

Marcel Broodthaers, Le Problème noir en Belgique, 1964, mixed media, 19 × 15 3/8 in., NY MoMA

Ebo Taylor 1936 - 2026

 

Sad to hear the news of the closing of Lyles & King, one of my favorite galleries, frequently cited here..

Rosa Loy, My Dear Chimera, 2020, Casein on canvas, 43 x 35 in.

Farley Aguilar, The Meal, 2017, Oil on canvas, 57 x 80 inches

Jessie Makinson, The Chief Leaf, 2018, oil on canvas, 74 x 65 in.

 

Ophelia Arc, reaD into a loWly Key, (i hope you are doing well), 2025, mixed media, frame 20 x 16 1/2 x 4 inches

 I'd thought Belgium had used all their substitutions

 

René Magritte, The Month of the Grape Harvest, 1959, oil on canvas, 130 x 160 cm

 

 Chris Marker filmed a one minute promo for the World Cup, from 6:45 to 7:43..

  

 

text

Abdullah Ibrahim 1934 - 2026

Nabatieh, Lebanon, 6/19/26

Mona Khalil 1949 - 2026

James "Blood" Ulmer 1940 -2026

Church of St. Victor the Warrior, Kotelniki, Moscow Oblast

 

 

Reporting from the historic city of Tyre for @TheNationalNews. We saw clear damage at one of the archaeological sites, where wreckage was scattered among ancient Roman ruins and a column had been broken by an Israeli strike on Sunday. The attack targeted, and completely… pic.twitter.com/7VuUYBtAqX

— Nada Maucourant Atallah (@MaucourantNada) June 11, 2026

Update 6/30:

Alan Riding 1943 - 2026

 

Over Cuba, Mexico eventually found itself completely alone in the regional body [OAS]. To some extent, President López Mateos reacted to the sympathy stirred by the 1959 Cuban Revolution among Mexican leftists and nationalists. But he was also following tradition by challenging Washington's application of the Monroe Doctrine to justify its new intervention in the region. In April 1961, the abortive Bay of Pigs invasion provoked strong protests in Mexico (even the aging President Cárdenas offered to help defend the island). In 1962, Mexico and five other countries opposed an OAS resolution suspending Cuba from the organization for "exporting" revolution to Venezuela. Two years later, Mexico was the only country to ignore a mandatory OAS resolution ordering all members to break relations with the Castro regime. Between 1964 and 1970, when Chile's new Allende government recognized the Castro regime, Mexico was Cuba's only formal link to Latin America.

                                                     

                                        Distant Neighbors: A Portrait of the Mexicans, 1984, p. 497

 

 

Salvador Almaraz López, La expedición del yate Granma a Cuba, 1982, 

Museo de la Hermandad Mexico-Cuba, Tuxpan, acrylic mural

 

As it happens, I don't follow the NBA but I'm rooting for Wemby because he went to high school at Paris-Nanterre.

 

DÉ - FENSE!

 

Henri Cartier-Bresson, Student Demonstration, Paris, June 1968, Gelatin silver print

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DÉ - FENSE! 

 

Meeting chez Renault, Paris, 1968, Gelatin silver print

 

Sonny Rollins 1930 - 2026

 

100 Miles

 

 

November 3, 1973, Stadthalle, Vienna; Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)

 

(Isle of Wight 1970)

 

 

 

Bill Laswell (bass), Henry Kaiser (guitar), Anna Clementi (vocals), Percy Howard (voice), Hideo Yamaki (percussion), Graham Haynes (cornet), Dorian Cheah (violin), Nils Petter Molvaer (trumpet), Peter Apfelbaum (keyboard), and P.ST (concept, electronics)

 

   

 

Cyro Baptista: Percussion, Prayer Bells, Vocals; Shanir Ezra Blumenkranz: Bass, Oud, Gimbri, Vocals; Tim Keiper: Calabash, Drums, Percussion, Orchestral Bells, Vocals; Brian Marsella: Piano, Organ, Vocals; Kenny Wollesen: Vibraphone, Chimes, Vocals

Yohmor, southern Lebanon

 

Georg Baselitz 1938 - 2026

Bild für die Väter (Painting for the Fathers), 1965, oil on canvas, 51 1/4 x 63 3/4 inches, courtesy VeneKlasen

 

Kirishi, Leningrad Oblast, Russia

Nabatiyeh, southern Lebanon

Perm, Volga District, Russia

 

Al-Qantara, South Lebanon, courtesy Reuters/Shir Torem

 

Bonjour Monsieur Gauguin (I), ou Bonjour Monsieur Gauguins, 1889, oil on canvas mounted on panel, 29.4 in x 21.5 in, Hammer Collection

 

Xandra Ibarra, MFA Boston, April 2026

 

Tuapse, Black Sea coast, Russia

 

 

If the Pope can just play himself off of Trump, Baroque art won't be necessary

 

Candida Höfer, Iglesia de Santa Maria Tonantzintla I, 2015, C-print, 70 7/8 x 86 5/8 inches, courtesy Sean Kelly

 

 

 

 

Ambulance, southern Lebanon

 

the strait will open up naturally.

Chinese Billionaires who have 56 kids, 

It’ll just open up naturally

 

Melvin Edwards 1937 - 2026

Untitled, 1974, Watercolor and ink on paper, 18 1/8 x 23 7/8 in, courtesy Alexander Gray

 

face i

n

you

r he

ad

 

 

 

Fatima Ftouni 1985 - 2026

Reporting from the eastern sector of South Lebanon, Al Mayadeen's correspondent Fatima Ftouni took viewers through several towns that have been subjected to near-daily Israeli strikes during the ceasefire and again following the renewed aggression.

Moving across areas… pic.twitter.com/8pgiykzIak

— Al Mayadeen English (@MayadeenEnglish) March 12, 2026

Pat Steir 1938 - 2026

 

Waterfall, 2009, oil on canvas, 60 x 96 in, courtesy Locks Gallery

Nabatieh, southern Lebanon

 

Calvin Tomkins 1925 - 2026

Calvin Tomkins:  Something I've been wondering about is your general attitude toward science.  Isn't your own work influenced by science?

Marcel Duchamp:  No. Ironically, yet. It's an ironic way of giving a pseudo-explanation of it. I don't believe in the explanation, so I have to give a pseudo one: pseudo-scientific. ..  Even the idea of perspective was a sort of forcing myself to be at the service of a scientific idea, to get away from the free hand, as I often said...  When I came to do my Chocolate Grinder I used perspective to design it, so that the form wouldn't be dictated by my taste at all.  It was forced on me by perspective.  

 

The Chocolate Grinder, 1965-66, etching, 12 13/16 × 19 13/16 in.

 

CT:  I see.  You're using science in a way as a means to art.

MD:  Yes, to avoid other things.  It was a game.

CT:  You've talked about stretching the laws of science, and I wonder if this is spoken about in the same spirit as you trying to break with tradition, to avoid what feels inevitable.

MD:  .. It's a very interesting thing to decode whether something is a law.. It's just an illusion of causality. I've never believed in causality.  Because you light a match and see a fire you consider that a law.  It's a very nice word, law, but it has no deep validity.  That's what I think.  It's just a habit. 

CT:  One of nature's habits?

MD:  Yes. What we don't know of it probably is not habit.  What we know is just the limited perception we have of these happenings and facts.  We are so fond of ourselves, we are little gods on earth.  I have my doubts, that's all.

CT:  Do you accept any laws on principle?  

MD:  No, I mean the word law is against my principles.  At least I think it's unnecessary to call it law, as though it were inexorable.  The concept of causality to me is very dubious.  It has a doubtful character.  It's a convenient form of making life possible.

                                                                                            The Afternoon Interviews, conducted in 1964 

 

To Have the Apprentice in the Sun (Cyclist), 1914, Pen, ink, and graphite, 10 3/4 in. x 6 3/4 in.

 

 

HA 

 

be 

r 

 

MAS

 

          (reposted from 11/15/23) 

Thaddeus Mosley 1926 - 2026

 

Misterioso - T. Sphere Monk, 2008, locust, 78 × 28 × 24 in, courtesy Karma

Photos by Erfan Kouchari, Tehran