José Guadalupe Posada, Gran calavera eléctrica, 1913 |
photo credit: Colectivo SOS |
When I finally saw Orozco's 1939 Man of Fire in person there was no one in the domed hall other than a young sleeping priest, lying in black clerical attire on a backless bench directly under it. He woke up and started speaking softly without moving. What I could make out could have been a dream, gospel, or a recounting of images. Then he would fall asleep again.