Rooting for Spain now, I commend Belgium for memorializing Magritte on their jerseys but conjecture that the execution led to their demise. The significance of La Voix des airs
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| René Magritte, La Voix des airs, 1931, oil on canvas, 72.7 x 54.2 cm |
is specifically the detachment of the horse bells from the horses into the sky above the landscape grid. To reattach the bells to the body is to dress your side as horses, and you can't beat the Spaniards playing polo. Also writing Ceci n’est pas un maillot on the jerseys abandons La Trahison des images' commentary on representation by putting the phrase on an existing jersey and not a picture of the jersey, and you can't beat the Spaniards by confusing ontology and semiotics.
A source familiar with Belgian fashion design has revealed to Piri' Miri Muli' the artworks the next three Belgian World Cup teams will feature on their jerseys:
2030:
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| James Ensor, Demons Taunting Me, 1895, etching, 11.8 x 15.8 cm., Museum of Fine Arts, Ghent |
2034:
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| Paul Delvaux, La Ville lunaire, 1944, oil on canvas, 56 ¼ x 78 ¾ in. |
2038:
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| Marcel Broodthaers, Le Problème noir en Belgique, 1964, mixed media, 19 × 15 3/8 in., NY MoMA |

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